528 Free Artworks of Color Etching On Paper

yale center for british artaquatint prints in the yale center for british arthand-colorednational gallery of artcolor printromanticism,fairy paintingwilliam blakeetchings in the yale center for british artaquatintetchings in the national gallery of art (washington, d.c.)
Frontispiece: The Progress of a Midshipman, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!, George Cruikshank, 1819
etchings in the yale center for british artetchings by george cruikshank
L'Oiseau prive, Philibert-Louis Debucourt, 1795
prints in the national gallery of art (washington, d.c.)aquatints by philibert-louis debucourt
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
Who'll Have a Crown - Now's Your Time, William Heath, 1830
etchings in the yale center for british artwilliam heath (artist)
Prince Albert, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
The Death of Ananias, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
The Belle of the Village, George Baxter, 1854
aquatint prints in the yale center for british artgeorge baxter (printer)
Prince Albert, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
Queen Victoria, George Baxter, circa 1860
aquatint prints in the yale center for british artgeorge baxter (printer)
The Conversion of the Proconsul, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
The Death of Ananias, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
Overthrow of Dr. Slop, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
A Naughty Boy Turn'd Out of School, William Heath, 1828
etchings in the yale center for british artwilliam heath (artist)
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Sailors on Shore at Navarino, William Heath, circa 1827
etchings in the yale center for british artwilliam heath (artist)
A Change in the Head of Affairs, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835
etchings in the yale center for british artetchings by george cruikshank
Fashions and Manners No. 9: The Swing (Embroidered Straw Hat, without Ribbons), Philibert-Louis Debucourt, circa 1800
collections of the sterling and francine clark art institute1800 etchings
Fitting out. - Plate 1, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Yellow-eared honeysucker (Meliphaga chrysotis) plate 5 from 'Birds of New Holland, with their Natural History', 1805
meliphaga lewinii (illustrations)john lewin
Cupid and Cephisa: "One Day as I was Walking in the Woods...", Thomas Burke, 1789
etchings in the yale center for british artthomas burke (artist)
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles, Isaac Robert Cruikshank, 1824
etchings in the yale center for british artisaac robert cruikshank
The Great Exhibition: Exterior View from the Southwest, George Baxter, 1851
aquatint prints in the yale center for british artgeorge baxter (printer)
The democracy of France, Isaac Cruikshank, 3 February 1794
decapitations of people in engravingsisaac cruikshank
The Valley of the Shadow of Death, James Gillray, 1808
aquatint prints in the yale center for british artjames gillray
Presages of the Millenium, James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!, Charles Williams, 1813
etchings in the yale center for british artcharles williams (caricaturist)
Druming Out. Or Making an Example of a Mutineer, William Heath, circa 1827
etchings in the yale center for british artwilliam heath (artist)
Pistol eating Fluellen's Leak - "Henry V", Henry Bunbury, between 1811 and 1815
etchings in the yale center for british arthenry william bunbury
St Paul Preaching in Athens, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
The Healing of the Lame Man, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
Christ's Charge to Peter, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
The Black Muray (Muraenae helenae varietas), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
The Pied-billed Dobchick (Colymbus podiceps), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
The Lyon Lizard (Lacerta 6-lineata), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Soins Maternelles, Malo-Renault, circa 1910
etchings by émile malo-renault1910s etchings
Waiting Room at the Admiralty--.(No misnomer) - Plate 6, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Funeral Procession at Boulevard de Clichy, Félix Buhot, 1887
prints in the national gallery of art (washington, d.c.)prints by félix buhot
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789
etchings in the yale center for british artthomas burke (artist)
The Sacrifice at Lystra, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
Emil Orlik Näherin, Emil Orlík, 1896
etchings by emil orlikneedlework in art
Woman Reclining (Femme couchee), Pierre-Auguste Renoir, 1906
etchings in the national gallery of art (washington, d.c.)impressionism
The Shepherd, from Songs of Innocence, William Blake, circa 1795
romanticism,fairy paintingpaintings of shepherds
Chinese Arabesque with a Boat, Jean-Baptiste Pillement, early 1760s
etchings in the national gallery of art (washington, d.c.)rococo
George Pritchard, Her Britannic Majesty's Consul, George Baxter, 1845
aquatint prints in the yale center for british artgeorge baxter (printer)
Finding things not exactly what he expected - Plate 2, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Healing of the Lame Man, George Baxter, after 1855
aquatint prints in the yale center for british artgeorge baxter (printer)
Man Struggling with an Ox, Giovanni Francesco Costa, circa 1747
etchings in the national gallery of art (washington, d.c.)giovanni francesco costa
Female Nude Reclining (Femme nue couchee), Pierre-Auguste Renoir, 1906
etchings in the national gallery of art (washington, d.c.)impressionism
In der Herberge, Robert Genin, 1919 [1]
males drinking in artrobert genin
Spring, from Songs of Innocence, William Blake, circa 1795
songs of innocence - springromanticism,fairy painting
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
A Moonlit Landscape with Cattle by a Pool, Thomas Gainsborough, circa 1780
prints by thomas gainsboroughrococo
French Liberty and British Slavery, James Gillray, 1792
etchings in the national gallery of art (washington, d.c.)french liberty - british slavery
Scholars Consulting Books and a Globe, Giovanni Francesco Costa, circa 1747
etchings in the national gallery of art (washington, d.c.)giovanni francesco costa
View of Sion House from the Banks of the Thames, John Hassell, 1799
aquatint prints in the yale center for british artjohn hassell (artist)
The Purple Jack Daw (Gracula Quiscula), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Koala Exploration - *Dumont d'Urville, Voyage to Oceania*, Eugène Giraud, from 1841 until 1855
phascolarctos cinereus (illustrations)etchings of animals
Cook’s Phalanger - Dumont d’Urville’s Voyage to the South Pole, Jacques Christophe Werner, from 1841 until 1855
trichosurus vulpecula anatomymarsupialia skulls
The Dinner, Thomas Rowlandson, 1787
prints in the national gallery of art (washington, d.c.)romanticism
Joannes Gabriel comicus nuncupatus Sivel, Agostino Carracci, circa 1599
prints by agostino carraccigiovanni gabrielli (actor)
Trompe l'Oeil: Landscapes and Sheep, Using Original Copperplates, Francesco Londonio, circa 1790
prints in the national gallery of art (washington, d.c.)rococo
Sin, Death, and the Devil, vide Milton, James Gillray, 1792
etchings in the national gallery of art (washington, d.c.)james gillray
Clapham Manor-House, Surry, John Hassell, between 1804 and 1822
aquatint prints in the yale center for british artjohn hassell (artist)
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 1791
aquatint prints in the yale center for british artjames gillray
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets, James Gillray, 1802
aquatint prints in the yale center for british artjames gillray
View of the Front of the New Public Buildings, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Saturn, Hans Thoma, 1900
etchings by hans thomasymbolism
The Chase, Thomas Rowlandson, published 1787
prints in the national gallery of art (washington, d.c.)romanticism
The Death of the Fox, Thomas Rowlandson, published 1786
prints in the national gallery of art (washington, d.c.)romanticism
Ivory-billed Woodpecker (Plate 66) from The Birds of America Campehilus principalis, John James Audubon, 1829.
john james audubonnaturalism
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4), William Blake, circa 1788
there is no natural religionromanticism,fairy painting
A Woman Carrying Two Children in a Basket, with a Musician, Giovanni Francesco Costa, circa 1747
etchings in the national gallery of art (washington, d.c.)giovanni francesco costa
Pica grisea Brasiliensis, Johann Michael Seligmann
etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after george edwards
Going Out in the Morning, Thomas Rowlandson, published 1786
prints in the national gallery of art (washington, d.c.)romanticism
Fedoa Americana, with a Russian chest, Johann Michael Seligmann
etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after george edwards
American Grus, high major, Johann Michael Seligmann
etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after george edwards
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
View of the Old Corn Market and Tuns Inn, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30), William Blake, 1794
songs of innocence and experience - copy fromanticism,fairy painting
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